Daily Archives: May 12, 2017

Jim Beam & Voddi – Ak Ausserkontrolle songtexte

Songtexte Ak Ausserkontrolle – Jim Beam & Voddi
Ich komm’ angefahr’n im Daimler, auf Panda vom Designer
Black-Express-Card ist im Einsatz, mach’ das Flex klein für die Weiber
Gentleman, charmant, nimm das Sektglas in die Hand
Schenk’ ihr Sekt ein und sie tanzt dann extravagant
Sie sieht aus wie ‘ne Türkin, Bauchnabelpiercing
Sie hat zwar kleine Titten, doch ein’n Arsch wie ein Pfirsich
Langes, schwarzes Haar, ihre Lippen sind gespritzt
Guck, wir nehmen sie mit und geben ihr zu dritt
Sie zögert nicht lang und sie steigt in den Benz
Leg’ ihr paar Lines und wir landen im Bett
Schampus und Sekt, schamloser S*x
Geb’ ihr von hinten – Rammbockeffekt
Vodka, Tequila, Bacardi Rum und Chivas
Belvedere, sechs Liter, guck, sie schluckt mehr als Benziner
Sie ist fies, Skinny Jeans, gibt sich mies die Kante
Nimm’ sie in die Suite, gib ihr richtig tief, richtig miese Schlampe
Fünf Sterne, Luxuszimmer, argentinisch Rumpsteak
Panoramafenster, sie will einfach nur noch bum.(jim beam)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (nimm sie durch)
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (Sie is’ mein Hobby!)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr, ich gib’s ihr (in der Sonne)
Ich gib’s ihr, ich gib’s ihr (bis ich komme!)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (nimm sie durch)
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (Sie is’ mein Hobby!)
Jim Beam und Voddi, richtig mieser Body
Sie springt in den Swimmingpool, ich (ah) sie in der Lobby
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (in der Sonne)
Ich gib’s ihr (gib ihr, gib ihr), ich gib’s ihr (bis ich kommeee!)
Ak AusserKontrolle songtexte
Video Voddi Jim Beam und Jacky, aus Versehen auf den Lappi
Hab’ die Hausparty zerstört und trotzdem findet sie mich sexy
Denn sie kennt „Ohne mein Team“, hat schon so oft dazu getanzt
Kommt die Melodie springt sie sofort auf mein’n Schw*nz
Zwei-Meter-Mann kommt in ‘n Club rein, Autorität so wie Suge Knight
Wenn die Frau’n erstmal seh’n wie mein Schmuck scheint hol’ ich ihn raus und sie lutscht gleich
Breakdance den Turtle, Rayban am Gürtel versuri-lyrics.info
Drei Uhr morgens mit Cabrio und Playmates durchs Viertel
Was ihr wollt, der ganze Kiez ist ein Schlampenstrich
Ich bin so süß, sie sieht meine Wampe nich’
Angewichst und zur Tanke geschickt, sie hat noch nie mit ein’m Mann gefickt
Mit ihrem Arsch, ich will reinbeißen, einseifen, sie steht auf Autos mit Breitreifen
Kurz Kentucky, was reinpfeifen und dann nach Hause, sie einreiten
Sie tauscht mit mir ihr Silikon gegen Million’n von Klicks
Will sich unbedingt ‘n jungen Pitty hol’n, doch von Hunden weiß sie nix
Kommt mein Track wird mitgerappt, wird sie frech gleich bitchgeslappt
Unsere Bilder stellst du nicht ins Netz, noch ein’n Hundefilter und ich schick dich weg.

Grande – Nash songtexte

Was sagt die Audemars Piguet? Was sagt die Audemars Piguet? Was sagt die Audemars Piguet? Mach nicht auf Pablo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ den besten Kurs im Handel
Wir ticken groß, Bruder – grandeee! Mach nicht auf Pablo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ den besten Kurs im Handel
Wir ticken groß, Bruder – grande! Ich hol’ Azet von seinem Freigang mit dem Maybach
Ich chill’ am Block und geb’ ein’n F**k auf eure Cypher
Choya, stress nicht, weil ich leider keine Zeit hab’
Doch dieses Leben hinter Gittern wollte keiner
Zieh’ am Blunt vor dem Richter, lad’ die Gun und entsicher’
Geh mir aus dem Weg, alles gut, solang die Audemars Piguet glitzert
Choya, alles echt, hunderttausend in Cash
Mein Bruder geht auf Risiko für zwei Kilo Meth, eh
Ballern Kilos für den AMG
Chill’ im Block, ich chill’ im Atelier
Geb’ kein’n F**k, bin morgen im Gefängnis
Doch kein Problem, denn KMN wird zur Legende! (x8)
Nash songtexte
Video Nash Mach nicht auf Chapo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ das beste Koks im Handel
Wir ticken groß, Bruder – grandeee! Mach nicht auf Chapo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ das beste Koks im Handel
Wir ticken groß, Bruder – grande! Na na na na na na na na na naaa. Was sagt die Audemars Piguet?
Grande, grande, chill’ im Benz, ich chill’ in Jacuzzi
Cash in der Replay-Blue-Jeans, von Kopf bis Fuß in Gucci
Choya, ándale, amigo versuri-lyrics.info
Bestell’ paar Kilos im Wert von einer Million’n
Beamer perlenweiß – Albino
Du siehst mich wie De Niro im Casino
Kill’ ihn, Crystal Meth in meinen Air Max
Geb’ Gas und flüchte vor den Cops und schrotte mein’n Mercedes
Ballern Kilos für den AMG
Chill’ im Block, ich chill’ im Atelier
Geb’ kein’n F**k, bin morgen im Gefängnis
Doch kein Problem, denn KMN wird zur Legende! Mach nicht auf Pablo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ den besten Kurs im Handel
Wir ticken groß, Bruder – grande! Mach nicht auf Chapo, ich hab’ alles schon geseh’n, Bruder
Ich hab’ das beste Koks im Handel
Wir ticken groß, Bruder – grande! Songtexte Nash – Grande
Grande! Was sagt die Audemars Piguet? (x2)
Was sagt die Audemars Piguet?

The gunner – Machine Gun Kelly lyrics

(x4) Lyrics Machine Gun Kelly – The gunner
Ayyyy, my walk is so cocky the bouncers don’t even stop me
Ain’t no pat down, no ID
They know me, that s**t obvi
b*tch I pack out the lobby just from fans tryna find me
I got daughters and mothers tryna f*ck with the gunner
Two tone suit like the Joker
My Harley Quinn wears a choker
Let them suicide doors up
So much smoke, can’t photo us
I’m out west like the gold rush, 1942 poured up
I ain’t spent one night sober since I turned 20 years old
But I’m on my Jeezy in 2005 “Trap or Die” s**t
The everyday 100, this ain’t no facade s**t
This that “Look me in my eyes and don’t you f*ckin’ lie” s**t
Still don’t need no opinions
b*tch, most these artists my minions, whoa
Any weed around me finna get burnt
No lie, I’m on fire versuri-lyrics.info
Hogtie anybody need a realization that they f*ckin’ with the wrong guy
I am the Alpha Omega, came from Sonic on a Sega
Crumblin’ chronic on the table
Mumbling lyrics in the basement
Like I’m finna go Super Saiyan
I’m saying I ain’t had a plan coming out the land
Hanging with my man, tryna slang a gram
Just to rent a van, just to try and tour
Turn some common clothing in to couture
Steal money from the sewer
Look at all that I been doing
All them years I couldn’t afford, places in the morgue
We are not the same, say the f*ckin’ name. I am the gunner.
Let’s do this for real
Super sonic, super sonic
Psychedelics and some chronic
Still remain a trending topic
Five movies, let’s be honest, what you call it? (x4)
Machine Gun Kelly lyrics
Video gunner I am the gunner. That’s a major motion picture wallet
No, I do not want a comment
Don’t approach me, I am violent
Snapping pictures ’cause I’m styling
Let me make it very f*cking clear who I am
Do not start assuming, let me clear confusion
I am not a human, they call me a giant
I pick up the mic and I start a riot
I spit a verse and I change the climate
f*ck a dealer, man, I need the pilot
Drop the weight off like he on a diet
Hanging off of the balcony of the Hyatt
I started with one, and I’m multiplying
Now I got me 3 women like Frankie Lymon
And I got me a double X made in diamonds
b*tch, the dynasty never dying
Someone ring the sirens, I just f*ck the silence
I just sparked the loud up,, who the f*ck can stop us? I resort to violence, no resorts and islands
You know where to find us.

Aspen music festival includes tours of Hunter S. Thompson’s Owl Farm

For more info on the festival, check out the whole article at aspentimes.com. Thompson is pictured in his Woody Creek home near Aspen, Colorado in February 1997. The music lineup for the festival, scheduled to run from 5 to 10 p.m., includes three bands: World’s Finest from Portland, Oregon; the Railsplitters out of Boulder; and Pearly & Wood from Carbondale. Hunter S. Wilderness Workshop’s fourth annual Wildfest will include tours of Hunter S. Thompson’s home and writing quarters at Owl Farm in Woody Creek, led by his wife, Anita, and retired Pitkin County Sheriff Bob Braudis. The music festival and fundraiser for the 50-year-old conservation watchdog is scheduled for July 1 at Owl Farm.

Musicals – Sunset Boulevard – Eternal Youth Is Worth A Little Suffering lyrics

ASTROLOGER
I don’t think you should shoot before July 15th
Right now is a perilous time for Pisces
If you want ’til Venus is in Capricorn
You’ll avoid a catalogue of crises

MASSEUR 1
I need three more weeks to get these thighs in shape
No more carbohydrates, don’t be naughty

MASSEUR 2
We’ll soon have you skipping like an ingenue
You won’t look a day over forty

BEAUTICIAN 1
We have dry heat, we have steam

BEAUTICIAN 2
We have moisturizing cream

BEAUTICIAN 3
We had mud-packs, we have blood sacks

BEAUTICIAN 2
It’s a rigorous regime

ALL
Not a wrinkle when you twinkle
Or a wobble when you walk

BEAUTICIAN 3
Of course, there’s bound to be a little suffering

ALL
Eternal youth is worth a little suffering

ANALYST
Listen to your super ego not your id
Age is just another damn neurosis
I’ll have you regressing back to infancy
And back into the womb under hypnosis

DOCTOR
I inject the tissue of the fetal lamb
The forumla’s the one Somerset Maugham owns
Just modest course of thirty-sevent shots
And you will be a heaving mass of hormones

ALL
No more crow’s feet, no more flab
No more love handles to grab
You’ll be so thin they’ll all think you’re
Walking sideways like a crab
Nothing sagging, nothing bagging
Nothing dragging on the floor

Of course, there’s bound to be a little suffering
Eternal youth is worth a little suffering
Of course, there’s bound to be a little suffering
Eternal youth is worth a little suffering
Of course, there’s bound to be a little suffering…

Musicals – Sunset Boulevard – Completion Of The Script lyrics

She read DeMille’s horoscope; she read mine. NORMA
Oh, but you couldn’t possibly think of leaving now, Joe. JOE
What do you mean? Mars is transiting Jupiter and today is the day of closest conjunction. One great big package, over-sized,
Just like everything else in California;
And it came right through the roof of my room above the garage. NORMA
Stop that! NORMA
Call? NORMA
DeMille is Leo; I’m Scorpio. JOE
My apartment. It’s just the beginning, it’s just the firt draft. NORMA
Make sure it goes to Mr. MAX
Yes, Madame. Thank you, Joe. DeMille in person. And on a clear day, the theory was, you could see Catalina. And little by little I worked through to the end of the script. JOE
Oh well, that’s all right, then. JOE
Will you call and let me know as soon as you have some news? NORMA
No, Joe. JOE
In December, the rains came. NORMA
I’ve just spoken with my astrologer. NORMA
Yes…hasn’t it? NORMA
Max is going to deliver the script to Paramount. NORMA
You’ll stay on with full salary, of course… NORMA
Not at all, it is I who should thank you. JOE
I want to thank you for trusting me with your baby. JOE
Oh, Norma, it’s not the money
Yes, of course, I’ll stay until we get some sort of news back from Paramount. NORMA
Max. At which point I might have left:
Only by then those two boys from the finance company had traced my car and towed it away,
And I hadn’t seen one single dollar of cash money since I arrived. JOE
So, Max wheeled out that foreign bus
Brushed the leopardskin upholstery
He trundled along to Paramount
To hand Cecil B. So she had me moved into the main house. JOE
Well… JOE
Norma, the script is finished. Into what Max called “the room of the husbands”. I couldn’t dream of letting you go, I need your support. JOE
It’s been real interesting. NORMA
Great day. Today’s the day. JOE
Did she read the script? JOE
You’re really going to give it to DeMille? our hopeless opus
My work was over
I was feeling no pain
Locked up like John the Baptist JOE
Well, I can’t stay. Where? No. NORMA
Thank you.

Musicals – Sunset Boulevard – Betty’s Office At Paramount lyrics

You’re getting married, isn’t that what you wanted? This is crazy. You know we should call it a day. I spent my childhood here. (HE fixes a couple of paper cups of water, and hands one to BETTY,
Who’s miles away and comes to with a start when he touches her arm.)

BETTY
What? JOE
Why not? JOE
Are you all right? If this is real,
How should I feel? JOE
Something’s the matter, isn’t it? JOE
How old are you, anyway? Can one kiss kiss away
Everything I planned? BETTY
You did. All of that goes
When I see your face. I had ten years of dramatic lessons, diction, dancing, everything you can think of;
Then the studio made a test. My life was set,
My dreams were in place. JOE (Laughing)
That’s the saddest story I ever heard. (As THEY walk down the Manhattan street, the stage begins to revolve slowly,
So that THEY end up walking Downstage;
And the flimsy struts holding up the substantial sets are gradually revealed. BETTY
It’s exciting, though, isn’t it? Come on. BETTY
T-H-E E-N-D! This is crazy. A long kiss.)

BETTY
When I was a kid,
I played on this street,
I always loved illusion. We’re floating in mid-air. (Pause)

BETTY
I was born two blocks from here. JOE
Second generation, huh? BETTY
Please can you tell me what’s happening? Grandma did stunt work for Pearl White. I can’t control
All the things I’m feeling. BETTY
Not at all. I knew where I was,
I’d given up hope,
Made friends with disillusion. I just don’t know any more. BETTY
No, but my family always expected me to become a great star. I just don’t know any more. BETTY
Of course I do. (He breaks off, amazed to see that SHE’s crying.)

JOE
Why are you crying? No one in my life,
But I look at you,
And now it’s all confusion. What should I look for? I know it’s wrong,
But I’m too much in love to care. What happened? My father was head electrician at the studio until he died,
And Mother still works in wardrobe. (They fall into each other’s arms and embrace passionately. JOE
If you were smart,
You would keep on walking
Out of my life,
As fast as you can. JOE
Is something wrong? Sound advice, great advice,
Let’s throw it away. They kiss again and it is obvious that THEY’re about to make love.) You know we should call it a day. (Suddenly, THEY’re in each other’s arms. BETTY
Sure. All cardboard, all hollow, all phoney, all done with mirrors;
I think I love it better than any street in the world. JOE watches as BETTY finishes typing. JOE and BETTY walk in silence for a while; BETTY’s expression is deeply preoccupied. BETTY
Twenty-two. I can’t believe it, I’ve finished my first script! I thought I had
Everything I needed. If I’m a fool,
Well, I’m too much in love to care. I thought make-believe
Was truer than life
But now it’s all confusion. JOE
Best I can offer is a stroll to the water cooler at the end of the lot. I’m not the one
You should pin your hopes on,
You’re falling for
The wrong kind of man. He says it would only cost 2 dollars to get married in Clinch. Then JOE leads BETTY by the hand back into the office. All of that goes
When I see your face. (Pause. My life was set,
My dreams were in place. I can’t control
All the things I’m feeling,
I haven’t got a prayer. If this is real,
How should I feel? Now we’ve finished the script… My heart could see
Way into the future. My heart could see
Way into the future. Then BETTY blurts out.)

BETTY
I had a telegram from Artie. JOE
Well, what’s stopping you! Please can you tell me what’s happening? BETTY
Not any more. I’m just not in love with him any more, that’s all. BETTY

He wants me to come out to Tennessee. I can’t control
All the things I’m feeling,
I’m floating in mid-air. I should hate you,
There I was, the world in my hand. If we are fools,
Well, we’re too much in love to care! It is night on the Paramount lot and BETTY is once again at her typewriter,
But this time there is some light on the standing New York street set,
Which is being dressed for action the following day. BETTY
Shouldn’t we open some champagne? BETTY
Sounds good to me. JOE AND BETTY
I thought I had
Everything I needed. What should I look for? JOE
What were you, a child actress? (Pause)

I love the back lot here. JOE
Don’t you love Artie? JOE
Sound advice

BETTY
Great advice

JOE AND BETTY
Let’s throw it away. BETTY
Third. JOE
Stop it, you’re making me feel old. If we are fools,
Well, we’re too much in love to care. JOE
Smart girl. They come to a halt in front of the water cooler.)

JOE
I guess it is kind of exciting, at that, finishing a script.

Musicals – Sunset Boulevard – Back At The House On Sunset lyrics

Because of her career? MAX
Where have you been? JOE
Norma, they don’t want you in every scene

NORMA
Or course they do. JOE
Out. MAX
Yes, sir? Earlier this evening, she wanted you for something and you could not be found. She’s done well enough. I hope it’s not one of her weepy melodramas

MAX
We’ll be showing
One of Madam’s enduring classics
“The Ordeal of Joan of Arc”

JOE
Oh, God. JOE
No. Gillis. Look at all the fan mail she gets every day. MAX
Madame is quite agitated. JOE
I thought we might cut away from the slave market… JOE
You mean you write them? She has moments of melancholy. Madame is extremely fragile. JOE
I’d made my first big mistake
I’d put my foot in the quicksand
It wouldn’t be a few days
Paste and scissors
This would take weeks

The house was always so quiet
Just me and Max and that organ
No one phoned and nobody ever came
And there was only one kind
Of entertainment on hand

Max, what’s on this evening? That is, if you want the job. I have a life of my own – now you’re telling me I’m supposed to be a prisoner here. What else would they have come for? JOE
Why? NORMA
Cut away from me? MAX
I don’t think you understand, Mr. We saw that last week. JOE
I started work on the script
I hacked my way through the thicket
A maze of fragmented ramblings
By a soul in limbo
She hovered there like a hawk
Afraid I’d damage her baby

NORMA
What’s that? And Max? I assume I can go out when I feel like it. There have been suicide attempts. MAX
Will you be requiring some supper this evening, sir? JOE
Who the hell do you think you are,
Bringing my stuff up from my apartment without consulting me? Put it back. JOE
Well, that’s tough. MAX
I wouldn’t look too closely at the postmarks if I were you. MAX
A masterpiece can never pall
She is the greatest star of all MAX
I think, perhaps, sir, you will have to make up your mind to abide by the rules of this house.

Musicals – Sunset Boulevard – At The House On Sunset lyrics

JOE
You’re really going to give it to De Mille? JOE
In December, the rains came. hasn’t it? No. One great big package, over-sized, like everything else in California;
And it came right through the roof of my room above the garage. (HE resumes his game;
All of a sudden NORMA sweeps out of her room and down the stairs. SHE’s holding a fat typescript in her hand. JOE
Oh, Norma, it’s not the money. NORMA
Max is going to deliver the script to Paramount. MAX is at the organ, wearing his white gloves, playing. JOE
Well, I can’t stay. The sound of heavy rain. NORMA
I’ve just spoken with my astrologer. NORMA
You’ll stay on with full salary, of course… (NORMA frowns; SHE turns to him, her expression bewildered.)

NORMA
Call? She read De Millle’s horoscope; she read mine. Last Update: December, 24th 2013 JOE
It’s been real interesting. De Mille in person. NORMA
No, Joe. JOE
I want to thank you for trusting me with your baby. HE’s alone in the great room, playing solitaire. NORMA
Yes… JOE
Norma, the script is finished. JOE
Oh, well, that’s all right, then. JOE’s typewriter is no longer on the table, but closed and standing on end on the floor. (HE leaves the house by the front door. HE turns to the audience.)

JOE
So, Max wheeled out that foreign bus
Brushed the leopardskin upholstery. (SHE releases his hand and moves off leaving him a little shaken by this turn of events,
His expression rueful. JOE
Will you call and let me know as soon as you have some news? our hopeless opus. NORMA
Not at all, it is I who should thank you. SHE snaps at MAX.)

NORMA
Stop that! My work was over
I was feeling no pain
Locked up like John the Baptist. At which point I might have left;
Only by then those two boys from the finance company had traced my car and towed it away;
And I hadn’t seen one single dollar of cash money since I arrived. And little by little I worked through to the end of the script. JOE
My apartment. So she had me moved into the main house. NORMA
Max

MAX
Yes, Madame

(SHE hands the typescript to MAX.)

NORMA
Make sure it goes to Mr. It’s just the beginning,
It’s just the first draft: I couldn’t dream of letting you go, I need your support. (MAX stops playing.)

Today’s the day. It’s day-time but dull enough to need the lights on. (HE’s on his feet now, and NORMA grips his hand tightly for a moment.)

NORMA
Thank you, thank you, Joe. JOE
What do you mean? Where? NORMA
Great day. JOE
Did she read the script? NORMA
Oh, but, you couldn’t possibly think of leaving now, Joe. He trundled along to Paramount
To hand Cecil B. HE looks up at the audience, breaks off from his game. There’s a silence;
NORMA moves up and down in a state of heightened emotion;
JOE is steeling himself to broach a difficult subject.)

JOE
Well…. (NORMA now has a look of genuine panic on her face,
And JOE sees that some reassurance is essential.)

Yes, of course, I’ll stay until we get some sort of news back from Paramount. Into what Max called ” The room of the husbands.”
And on a clear day, the theory was, you could see Catalina. NORMA
De Mille is Leo; I’m Scorpio. Mars is transiting Jupiter, and today is the day of closest conjunction.

Musicals – Sunset Boulevard – As If We Never Said Goodbye lyrics

Yes, a world to rediscover
But I ‘m not in any hurry
And I need a moment

The whispered conversations in overcrowded hallways
The atmosphere as thrilling here as always
Feel the early morning madness
Feel the magic in the making
Why, everything’s as if we never said goodbye

I’ve spent so many mornings just trying to resist you
I’m trembling now, you can’t know how I’ve missed you
Missed the fairy tale adventure
In this ever spinning playground
We were young together

I’m coming out of make-up
The lights already burning
Not long until the cameras will start turning… NORMA
I don’t know why I’m frightened
I know my way around here
The cardboard trees, the painted seas, the sound here… And this time will be bigger
And brighter than we knew it
So watch me fly, we all know I can do it… And the early morning madness
And the magic in the making
Yes, everything’s as if we never said goodbye

I don’t want to be alone
That’s all in the past
This world’s waited long enough
I’ve come home at last! The whispered conversations in overcrowded hallways
So much to say not just today but always… We taught the world new ways to dream! We’ll have early morning madness
We’ll have magic in the making
Yes, everything’s as if we never said goodbye
Yes, everything’s as if we never said goodbye… Has there ever been a moment
With so much to live for? Could I stop my hand from shaking?

Musicals – Sunset Boulevard – New Ways To Dream lyrics

NORMA
This was dawn
There were no rules
We were so young
Movies were born
So many songs
Yet to be sung
So many roads
Still unexplored
We gave the world
New ways to dream
Somehow we found
New ways to dream

Joan of Arc:
Look at my face
Isn’t it strong? You don’t yell at a sleepwalker
Or she could fall and break her neck
She smelled of faded roses
It made me sad to watch her
As she relived her glory
Poor Norma
So happy
Lost in her silver heaven

NORMA
Nothing has changed
We’ll give the world
New ways to dream
Everyone needs
New ways to dream
Last Update: December, 24th 2013 There in the dark
Up on the screen
Where I belong

We’ll show them all
Nothing has changed
We’ll give the world
New ways to dream
Everyone needs
New ways to dream

JOE
I didn’t argue, why hurt her?

Musicals – Sunset Boulevard – Let’s Have Lunch lyrics

JOANNA
You look great GIRLS
This is the biggest film ever made CLIFF
I’m trying to make my mind up MARY

Guess I was born to play her DAWN
What is my motivation? Sheldrake. JONES
Name? I think I have read this. He’s batting .347. I’ve read some of your other work and I thought you had some real talent. MARY
I’m up for an audition

JOE
Sheldrake is driving me insane

MARY
Don’t forget me when you’re casting

JOE
We should talk

MARY
Gotta run

BOTH
Let’s have lunch

JOE MARY
Morning, Joanna Hi there, Myron

JOANNA MYRON
Who are you meeting? BETTY
I’m sorry, Mr. Well, looks like Zanuck’s got himself a baseball picture. ENSEMBLE
Let’s have lunch

BETTY
Here’s that “Bases Loaded” materical, Mr. Betty Schaefer. Somebody, bring in what we’ve got on… SHELDRAKE
I believe in self-denial
Gives a man some moral backbone

JOE
Can you loan me three hundred bucks? Last Update: December, 24th 2013 JOE
I just love Hollywood. ENSEMBLE
Gotta run

BETTY
And I guess I was disappointed. JOE
What I need is three hundred bucks

MORINO
Maybe what you need is a new agent. SHELDRAKE
This is Sheldrake
Bring some water
Get me that shithead Nolan

Nolan, sweetheart
Great to talk
This draft is so much brighter
You’re the best
Even so
I’ve hired another writer

SECRETARY
Mr. JONES
All right, sir, you know your way? JOE
Hello, Artie

ARTIE
Joe, you bastard! Gillis. Gillis, I couldn’t see the point of it. DeMille. SHELDRAKE
Wait a minute. JOE
I believe in self-denial
I’m in training for the priesthood

2ND FINANCEMAN
O.K., wise guy, three hundred bucks. SHELDRAKE
No, that was me. JOE
Not so great

ARTIE
Will this help? 1ST FINANCEMAN
We want the keys to your car

2ND FINANCEMAN
You’re way behind with the payments

1ST FINANCEMAN
Don’t give us any fancy footwork… JOE
How come you get such lousy breaks? 1ST FINANCEMAN
Or we’re taking the car. Gillis. JOE
Yeah, that was last year. JOE
“Bases Loaded.” It’s an outline for a baseball picture. SAMMY
Hi there, Lisa MYRON
How’re you doing? SHELDRAKE
Joe! James Joyce? The kid was once mixed up in a holdup. Aren’t we lucky? Joseph Gillis. SHELDRAKE
Why not? JOE
If I could be of any help… What the fuck brings you here? JOE
You never call me any more

ARTIE
Found a cuter dancing partner
How are things? MYRON
We should talk

JOE
Gotta run

BOTH
Let’s have lunch

MARY
Hi, Mr. BETTY
I think pictures should at least try to say a little something. JOE
Yeah. JOE
“Bases Loaded.”

SHELDRAKE
…”Bases Loaded.”

JOE
They’re pretty hot for it over at Twentieth. This year I felt like eating. JOE
I love it when you talk dirty. JOE
But can you see Ty Power as a shortstop? SAMMY
One learns to grin and bear ’em

GIRLS
This is the biggest film ever made. ENSEMBLE
We should talk

SHELDRAKE
This is Miss Kramer. Now he’s trying to go straight. MYRON
Good morning, C.B. I expect you’d have turned down “Gone With the Wind”. SHELDRAKE
I’m sorry, Gillis. I made a two-page synopsis for you, but I wouldn’t bother to read it. 2ND FINANCEMAN
We have a court order. JOE
Gillis. ENSEMBLE
We should talk
Gotta run
Let’s have lunch

JOE
You’ve got to give me some work
I’ll take whatever’s on offer
There must be some shit that needs a rewrite
Throw it my way

SHELDRAKE
I only wish I could help
There’s no spare shit at the moment
Remember the greatest writers starved in Garrets
Didn’t care about pay

JOE
Are you trying to be funny? SHELDRAKE
So, pitch. MORINO
He’s my wunderkid from Broadway
Every major studio wants him

YOUNGER MAN
Playing one against the other… ANITA
Temple virgin

DAWN
Handmaiden to Delilah

JOE
Let’s have lunch
Gotta run

You’ve got to find me a job
I’m way behind with my payments
I thought you were meant to be my agent
I need some work

MORINO
I only wish I could help
This town is dead at the moment
There’s been this slowdown in production… Sheldrake. KATHERINE

I hate this weather CLIFF
You look great LIZ
RKO are O.K.! SHELDRAKE
Meet Mr. Hi, good morning. Going to work with Cukor
Paramount is paradise
Movies from A to Zukor
We should talk, gotta run

GROUP 1
Let’s have lunch

GROUP 2
We should talk

GROUP 1
Gotta run

GROUP 2
Gotta run

ALL
Let’s have lunch! MORINO

I’m very close to Sheldrake ARTIE
We shoot next month

SAMMY, SANDY, ARTIE, MORINO, MYRON
Gotta run

JOHN
Let’s drive to Vegas this weekend

KATHERINE, JOANNA
Let’s have lunch

ANITA
You look great JOANNA
I’m handing in my second draft MARY
It’s between me and Dietrich KATHERINE
I’ve landed a big Broadway show ADAM

I’m gonna work for Metro CLIFF
Let’s have lunch MARY
Let’s have lunch

GIRLS
Let’s have lunch, this is the biggest film ever made MYRON
I’d really love to read it CLIFF
I’d know just how to light you JOHN
Let’s have lunch JOHN/LISA

It won’t work MORINO
Let’s pencil Thursday morning

GROUP 1
We should talk

GROUP 2
Gotta run

CHORUS
Let’s have lunch! SAMMY
How do you like my harem? JOE
You wanted to see me. Twenty bucks? JOE
Who is this jerk? JOE
Thanks, you’re a pal. Dostoyevsky? And right now, I’d like to crawl into a hole and pull it in after me. BETTY
Schaefer. Gillis

JOE
You look great! SAMMY
Bless you, Joseph

JOE
That you, Sammy? JOE
What sort of material do you suggest? MYRON
Morning, Joanna CLIFF
Where’ve you been hiding? BETTY
Well, I’m sorry, Mr. JOANNA
You look great SAMMY
They’re talking nominations LIZ
You should go work for Warners’ MYRON
Is your new script with Sheldrake? SHELDRAKE
Thank you, Miss Kramer. Good-bye. He wrote it. JOE
I’ve got a date with Sheldrake

MYRON
I’m shooting a Western down at Fox

JOE
How can you work with Darryl? JOE
Hi there, Myron

MYRON
How’s it hanging? Wait a minute. Gillis. SHELDRAKE
Good! JOE
I see you’re one of the message kids. I’ve spent the last month fasting

JOANNA MYRON
I’m handing in my second draft I’m shooting a Western down at Fox

JOE MARY
I’d really love to read it Don’t forget me when you’re casting

JOANNA MYRON
We should talk We should talk

JOE MARY
Gotta run Gotta run

BOTH BOTH
Let’s have lunch Let’s have lunch

JOE
Yeah, I have an appointment with Mr. SHELDRAKE
I did? JOE
What’re you playing? JOE
I only wish I could help
I loaned it to my accountant
He has an important client down in Palm Springs
Felt like shooting the breeze

1ST FINANCEMAN
Are you telling us you walked here? You look great

JOE MARY
Sheldrake, but do I need it? ALL
Good morning, Mr. BETTY
It’s just a rehash of something that wasn’t very good to begin with. What about? MARY
What’re you doing? 2ND FINANCEMAN
Give us the keys. JOE
It’s about a rookie shortstop.

Musicals – Sunset Boulevard – Journey To Paramount lyrics

Isn’t that enough? NORMA
Yes, you do. Tell him without me, there wouldn’t be any Paramount Studio. I have a message for Mr. NORMA
Hello, Mr. NORMA
Thank you, Jonesy. NORMA
Jonesy? JONES
You heard Miss Desmond. NORMA
Thank you, darling. HEATHER
She’s here at the studio. DEMILLE
Well, well, well. NORMA
You read the script, of course. HEATHER
Norma Desmond is here to see you, Mr. DEMILLE
Come on in. NORMA
There’s been a call
What did I say
They want to see me right away
Joe, Paramount, they love our child
Mr. DeMille is going wild

JOE
Well, that’s wonderful, Norma. It’s happened, Joe
I told you so
The perfect year

Now, let’s go upstairs

JOE
Shouldn’t you at least call back? Good luck. HEATHER
Maybe I could give her the brush. No appointment is necessary. You need an appointment. DEMILLE
What is it? NORMA
Won’t you come along, darling? DEMILLE
Thirty million fans have given her the brush. NORMA (V.O.)
Thank you, Max. NORMA
No; they can wait until I’m good and ready. Give me a minute. DEMILLE
I don’t know what you mean, Norma. JONES
Stage 18, Miss Desmond. NORMA
Fine, Jonesy. DeMille. DeMille. DeMille. And teach your friend some manners. DeMille. How have you been, Miss Desmond? Open the gate. GUARD
Hey, that’s enough of that. JOE (V.O.)
It took her three days and she was ready
She checked with her astrologer
Who sacrificed a chicken
She dressed up like a pharaoh
Slapped on a pound of make-up
And set forth in her chariot
Poor Norma
So happy
Re-entering her kingdom

MAX (V.O.)
If you will pardon me, Madame, the shadow over the left eye is not quite balanced. DEMILLE
Norma Desmond? GUARD
Mr. DEMILLE
It must be about that appalling script of hers. Lindbergh had just landed. NORMA
Now, I know how busy you are during shooting,
But I really think you could have picked up the phone yourself,
Instead of leaving it so some assistant. GUARD
They don’t have a pass. JOE
It’s your script. It’s your show. I was dancing on the table. DEMILLE
Well, yes… The last time I saw you, we were someplace terribly gay. DeMille is shooting. NORMA
But it was some fool assistant
Not acceptable at all
It he wants me, then Cecil B. DeMille? GUARD
Norma who? HEATHER
Miss Desmond. MAX
To see Mr. JONES
Why, if it isn’t Miss Desmond. DEMILLE
A lot of people were. Himself must call

JOE
I don’t know if this is the time to stand on ceremony. HEATHER
Mr. What shall I say? MAX
This is Norma Desmond. NORMA
I’ve been waiting twenty years now
What’s a few more days, my dear? JONES
Get me Stage 18. Open the gate.

Musicals – Sunset Boulevard – I Guess It Was 5 A.M. lyrics

A homicide had been reported
From one of those crazy mansions up on Sunset
Tomorrow every front page
Is going to lead with this story
You see an old time movie star is involved
Maybe the biggest star of all

But before you read about it
Before it gets distorted
By those Hollywood piranhas
If you wanna know the real facts
You’ve come to the right party

Let me take you back six months
I was at the bottom of the barrel
I’d had a contract down at Fox
But I’d fallen foul of Darryl
Now I had a date at Paramount
Along with about a thousand other writers
If it didn’t come up roses
I’d be covering funerals
Back in Dayton, Ohio

I’d hidden my car three blocks away
Turned out to be a smart move. JOE (V.O.)
I guess it was five a.m.

Musicals – Sunset Boulevard – Girl Meets Boy (Reprise) lyrics

It’s really pretty good. JOE
Good. BETTY
Sorry, I don’t usually read private cigarett cases. No one knows when they’ll be back. BETTY
What’s good about it? Back to work. JOE
Norma’s a friend of mine: middle-aged lady, very foolish, very generous. JOE
A helluva movie

BETTY
Can we really do this? BETTY
Yes, but if he’s just a teacher
Then we lose those scenes in the factory

JOE
Not if he’s a champion for the working man. BETTY
Who’s Norma? Don’t see what good it would do. JOE
So how’s Artie? BOTH
I know that we can! BETTY
I’ll say: this is solid gold. BETTY
What if he’s a teacher? JOE
Where does that get us? I’m missing him something fierce. “Mad about the boy”? Here’s the thing, they both share the same room
Sleep in the same bed
It works out cheaper that way

BETTY
I’ve a feeling you’re just kidding
But to me it sounds believable
Makes a better opening than that car chase scene
Girl find boy, borrowing her toothbrush
Or oversleeping
Or at her sewing machine

JOE
You know, it’s not bad, there are some real possibilities… JOE
Who’s who? Girl likes boy, she respects his talent

BETTY
Working with someone can turn you into a fan

JOE
This is fun, writing with a partner

BETTY
Yes, and it could be… JOE
How about
They don’t know each other
He works the night shift
And she takes clases all day? It rains all the time, they’re weeks behind. JOE
No, I mean this idea we had. BETTY
Stuck in Tennessee. BETTY
No, it’s great
If they do the same job

JOE
So much in common
They fall in love, wouldn’t you?